So, for you enjoyments, here’s numbers forty to thirty-one.
A dog, brought up to believe he is a superhero, who is in fact simply the title character in his own TV series, finds himself powerless in the real world after his co-star, Miley Cyrus, is kidnapped. Bolt is a great concept and a pretty fun film. Indeed, of Disney’s brief sojourn in CGI, it’s by far the best. Does it measure up to the real classics though? Well, not really. But it’s still good fun.
Home on the Range boasts one of the best opening numbers a Disney film has ever produced. There’s also a lot of fun to be had with the highly camp yodelling baddie. Unfortunately it’s just a bit too Chuck Jones to be considered real Disney. That said, it’s well worth a few chuckles, and has a stellar voice cast. Disney’s final 2D animation. Y’know, before they realised how stupid that idea was.
I guess the main problem Tarzan had is that it followed the golden age, and just didn’t live up to its predecessors. Following straight on from a series of nine absolutely top-notch films, Tarzan just didn’t make the grade. With a soundtrack by Phil Collins, rather than actual songs performed by the characters, it was a bit of an oddity. Good animation and likable characters, as well as the touching story of Tarzan’s primate family, make this nonetheless a good’un.
37. The Adventures of Ichabod and Mister Toad (1949)
This was one of my childhood favourites that unfortunately was lent to a friend and never got returned. Bing Crosby’s haunting rendition of The Legend of Sleepy Hollow is cinematic gold, whilst Basil Rathbone’s Toad of Toad Hall is rollicking good fun. A fabulous double bill.
Let’s be honest, there are a few Disney films that really only girls can appreciate to the fullest. Oh, and effeminate younger brothers of course. As in touch as I am with my feminine side, I have never really been able to see the full appeal of Sleeping Beauty. Yes, Maleficent is one of the finest Disney villains, and there’s some iconic tunes… It’s just a bit… Well… Girly…
Tangled, for the most part, rocked my socks. The first half hour left me worried that this would be forgettable trite, and when Alan Menkin’s name appeared in the credits, I was shocked to the core that such a genius could have produced such dreary tunes. However, after the appearance of anti-hero Flynn, the film really picks up pace, and the ending is quite touching. It’s not the best (hence stepping in at number thirty five), but it’s quite lovely. And Mandy Moore makes a delicious princess.
Another compilation film, but with a lot of good going for it. Make Mine Music starts off with some relatively mundane shorts before really hitting its stride with ()’s legendary Peter and the Wolf, followed by another Andrews Sisters classic about a fedora who falls in love with a blue bonnet, before finishing off with the absolutely outstanding The Whale Who Wanted to Sing at the Met, truly one of the studio’s finest short films. As mentioned before, had these last three pieces been preceded by the opening numbers of Melody Time, a real great would have been produced.
Okay. I’m going to be honest.
I don’t particularly like Bambi.
I get it. Cultural importance, Disney’s favourite film, yaddy yadda. I just find it a bit, well, dull. That said, I couldn’t bring myself to place such an important film any lower on the list. Ho hum.
32. The Rescuers (1977)
The Rescuers, in my eyes, was a good movie that paved the way for a much more enjoyable sequel. There’s some classic characters; Wilbur the albatross, voiced by the late great Buddy Hackett, the terrifying alligators Brutus and Nero, and of course, the legendary Evenrude the dragonfly. It’s scary, touching, and beautifully dark. And should not, under ANY circumstances, be confused with the Rescue Rangers!
Pocahontas boasted a beautiful score and stunning animation, but unfortunately didn’t quite work as a family film. There’s romance, adventure, and a spattering of comedy from animal sidekicks Meeko and Flit, but following The Lion King was always going to be a tough call. The conflict between evil Governor Ratcliffe and the natives, however, is done with aplomb, and the film’s inevitable ending is very powerful. It also introduced a generation of kids to a true legend.
So there’s the last few not to make the top thirty. Tune in next week for numbers thirty to twenty one!
No comments:
Post a Comment